MPAACT's metier seems to be moving family dramas that examine the sense of duty, longing, and pride… There's one terrific scene--one of the best I've seen at conveying men's casual escalating rivalries. When Che goes to retrieve Red from the train station, he unknowingly sits next to him, and the exchange between these two strangers speaks volumes about the men who reside beneath their facades
Rebecca L. Ford --Chicago Reader
World Premiere 2004
Written by Addae Moon
Directed by Andrea J. Dymond